Lucid Classics
Cover of Hypatia, Lucid Classics edition

Hypatia

Charles Kingsley

Rewritten for Contemporary Readers

First published 1853 · Lucid Classics edition 2026

Original and Lucid edition, side by side

Original text

In the four hundred and thirteenth year of the Christian Era, some three hundred miles above Alexandria, the young monk Philammon was sitting on the edge of a low range of inland cliffs, crested with drifting sand. Behind him the desert sand-waste stretched, lifeless, interminable, reflecting its lurid glare on the horizon of the cloudless vault of blue. At his feet the sand dripped and trickled, in yellow rivulets, from crack to crack and ledge to ledge, or whirled past him in tiny jets of yellow smoke, before the fitful summer airs. Here and there, upon the face of the cliffs which walled in the opposite side of the narrow glen below, were cavernous tombs, huge old quarries, with obelisks and half-cut pillars, standing as the workmen had left them centuries before; the sand was slipping down and piling up around them, their heads were frosted with the arid snow; everywhere was silence, desolation-the grave of a dead nation, in a dying land.

Lucid Classics

In the year 413, three hundred miles up the Nile from Alexandria, a young monk named Philammon sat on a low cliff drifted over with sand. Behind him the desert ran on, dead and endless, throwing its glare back at a cloudless sky. At his feet the sand slid in yellow trickles from ledge to ledge, or blew past in little puffs on the summer wind. The cliffs across the narrow glen below were pocked with tombs and old quarries. Obelisks and half-cut pillars stood where the workmen had left them centuries ago, sand piling around their bases, their tops frosted white. Nothing moved. The grave of a dead nation, in a dying land.

Original text

As Hypatia was passing across to her lecture-room that afternoon, she was stopped midway by a procession of some twenty Goths and damsels, headed by Pelagia herself, in all her glory of jewels, shawls, and snow-white mule; while by her side rode the Amal, his long legs, like those of Gang-Rolf the Norseman, all but touching the ground, as he crushed down with his weight a delicate little barb, the best substitute to be found in Alexandria for the huge black chargers of his native land. On they came, followed by a wondering and admiring mob, straight to the door of the Museum, and stopping began to dismount, while their slaves took charge of the mules and horses.

Lucid Classics

That afternoon, as Hypatia crossed the courtyard toward her lecture-room, a procession blocked her path. Twenty Goths and a clutch of dancing girls, headed by Pelagia herself — draped in jewels and shawls, mounted on a snow-white mule — while at her side rode the Amal, his legs so long they nearly scraped the ground as he crushed a small, fine-boned barb beneath his weight. It was the best the Alexandrian stables could offer, a poor substitute for the great black chargers of his homeland.

They came on through the street, trailing a crowd of gawkers behind them. Straight to the door of the Museum, then stopping to dismount, their slaves stepping forward to take the animals.

Contents

  1. Preface
  2. The Laura
  3. The Dying World
  4. The Goths
  5. Miriam
  6. A Day in Alexandria
  7. The New Diogenes
  8. Those by Whom Offences Come
  9. The East Wind
  10. The Snapping of the Bow
  11. The Interview
  12. The Laura Again
  13. The Bower of Acrasia
  14. The Bottom of the Abyss
  15. The Rocks of the Sirens
  16. Nephelococcugia
  17. Venus and Pallas
  18. A Stray Gleam
  19. The Prefect Tested
  20. Jews Against Christians
  21. She Stoops to Conquer
  22. The Squire-Bishop
  23. Pandemonium
  24. Nemesis
  25. Lost Lambs
  26. Seeking After a Sign
  27. Miriam's Plot
  28. The Prodigal's Return
  29. Woman's Love
  30. Nemesis
  31. Every Man to His Own Place